Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
Dari dalam buku
Hasil 1-5 dari 32
Halaman
... facts 9. Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different versions Glossary Bibliography Index SERIES EDITOR'S PREFACE The New Critical Idiom is a series.
... facts 9. Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different versions Glossary Bibliography Index SERIES EDITOR'S PREFACE The New Critical Idiom is a series.
Halaman
... fact were: networked, distributed, laced with code' (McCarthy 2011). In this dispersed and distributed context, it is fair to say that adaptations and appropriations (or mediations and remediations) can vary in how explicitly they state ...
... fact were: networked, distributed, laced with code' (McCarthy 2011). In this dispersed and distributed context, it is fair to say that adaptations and appropriations (or mediations and remediations) can vary in how explicitly they state ...
Halaman
... fact that a political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a source text. In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as ...
... fact that a political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a source text. In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as ...
Halaman
... fact. J. Hillis Miller has explored various permutations of the paratextual, the peritextual and the hypertextual in his critical writings, delineating the multifarious ways in which a literary text can be 'inhabited ... by a long chain ...
... fact. J. Hillis Miller has explored various permutations of the paratextual, the peritextual and the hypertextual in his critical writings, delineating the multifarious ways in which a literary text can be 'inhabited ... by a long chain ...
Halaman
... fact' and so-called real-life subjects as well as the adaptation of alternative art forms and paradigms from scientific research. What becomes clear as these parts progress is how frequently adaptations and appropriations are impacted ...
... fact' and so-called real-life subjects as well as the adaptation of alternative art forms and paradigms from scientific research. What becomes clear as these parts progress is how frequently adaptations and appropriations are impacted ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing