Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... experience from the vantage point of the end-user? We will return to these interpretive challenges throughout. Literary texts 'are built from systems, codes and traditions established by previous works of literature' (Allen 2000: 1) ...
... experience from the vantage point of the end-user? We will return to these interpretive challenges throughout. Literary texts 'are built from systems, codes and traditions established by previous works of literature' (Allen 2000: 1) ...
Halaman
... experience. Eliot's delineation of the 'historical sense' (1984 (1919): 38) is helpful; he suggests that meaning stems from the relationships between texts, relationships which encourage contrast and comparison. As the close readings ...
... experience. Eliot's delineation of the 'historical sense' (1984 (1919): 38) is helpful; he suggests that meaning stems from the relationships between texts, relationships which encourage contrast and comparison. As the close readings ...
Halaman
... experience where adaptation is concerned – and I make no apologies for introducing pleasure into the equation at the outset of this study – must be the tension between the familiar and the new, and the recognition of both similarity and ...
... experience where adaptation is concerned – and I make no apologies for introducing pleasure into the equation at the outset of this study – must be the tension between the familiar and the new, and the recognition of both similarity and ...
Halaman
... experience of viewing such a film, then, but we might argue that such knowledge brought into play in the process of understanding could enrich the spectator's experience and may indeed enhance or complicate the pleasures involved. The ...
... experience of viewing such a film, then, but we might argue that such knowledge brought into play in the process of understanding could enrich the spectator's experience and may indeed enhance or complicate the pleasures involved. The ...
Halaman
... experience is certainly altered by that stance of familiarity. In Cartmell's third and final category of adaptation, analogue, the case is more similar than it might at first seem. While it may deepen our understanding of the new ...
... experience is certainly altered by that stance of familiarity. In Cartmell's third and final category of adaptation, analogue, the case is more similar than it might at first seem. While it may deepen our understanding of the new ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing