Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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How might that order of encounter or point of entry alter the terms in which we understand or describe the adaptive experience from the vantage point of the end-user? We will return to these interpretive challenges throughout.
How might that order of encounter or point of entry alter the terms in which we understand or describe the adaptive experience from the vantage point of the end-user? We will return to these interpretive challenges throughout.
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We are seeking to theorize an interrelation between texts which is fundamental to their existence and which at times seems to get to the heart of the literary, and especially the reading, experience. Eliot's delineation of the ...
We are seeking to theorize an interrelation between texts which is fundamental to their existence and which at times seems to get to the heart of the literary, and especially the reading, experience. Eliot's delineation of the ...
Halaman
Texts feed off each other and create other texts, as well as other critical studies; literature creates more literature, art creates more art. Part of the sheer pleasure of the reading or spectating experience where adaptation is ...
Texts feed off each other and create other texts, as well as other critical studies; literature creates more literature, art creates more art. Part of the sheer pleasure of the reading or spectating experience where adaptation is ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York