Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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With a strong emphasis on clarity, lively debate and the widest possible breadth of examples, The New Critical Idiom is an indispensable approach to key topics in literary studies. Also available in this series: Adaptation and ...
With a strong emphasis on clarity, lively debate and the widest possible breadth of examples, The New Critical Idiom is an indispensable approach to key topics in literary studies. Also available in this series: Adaptation and ...
Halaman
This will involve some re-situation of terms within the larger field of cultural representation, and will introduce examples from the area of film and the modern media in addition to examples from a variety of literary texts.
This will involve some re-situation of terms within the larger field of cultural representation, and will introduce examples from the area of film and the modern media in addition to examples from a variety of literary texts.
Halaman
... for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create other texts. But as readers, spectators and critics, ...
... for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create other texts. But as readers, spectators and critics, ...
Halaman
... the operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be deferential or critical, supportive or questioning; it depends on the.
... the operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be deferential or critical, supportive or questioning; it depends on the.
Halaman
Many nineteenth-century novels, those of Thomas Hardy, the Brontė sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a ...
Many nineteenth-century novels, those of Thomas Hardy, the Brontė sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York