Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... examples, The New Critical Idiom is an indispensable approach to key topics in literary studies. Also available in this series: Adaptation and Appropriation – second edition by Julie Sanders Allegory by Jeremy Tambling The Author by ...
... examples, The New Critical Idiom is an indispensable approach to key topics in literary studies. Also available in this series: Adaptation and Appropriation – second edition by Julie Sanders Allegory by Jeremy Tambling The Author by ...
Halaman
... examples from the area of film and the modern media in addition to examples from a variety of literary texts. ACKNOWLEDGEMENTS FIRST EDITION As this volume evidences, few stories or Series editor's preface.
... examples from the area of film and the modern media in addition to examples from a variety of literary texts. ACKNOWLEDGEMENTS FIRST EDITION As this volume evidences, few stories or Series editor's preface.
Halaman
... example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create other texts. But as readers, spectators and critics, we also need ...
... example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create other texts. But as readers, spectators and critics, we also need ...
Halaman
... operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be deferential or critical, supportive or questioning; it depends on the.
... operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be deferential or critical, supportive or questioning; it depends on the.
Halaman
... example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a more sustained and deeper engagement usually with a single text or source, than the more ...
... example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a more sustained and deeper engagement usually with a single text or source, than the more ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing