Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... to reflect on and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
... to reflect on and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
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But citation is different again from adaptation, which constitutes a more sustained and deeper engagement usually with a single text or source, than the more glancing act of allusion or quotation, even citation, allows.
But citation is different again from adaptation, which constitutes a more sustained and deeper engagement usually with a single text or source, than the more glancing act of allusion or quotation, even citation, allows.
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As already stressed, in this study we are looking at something rather different, a more sustained engagement between texts and their creators. We are seeking to theorize an interrelation between texts which is fundamental to their ...
As already stressed, in this study we are looking at something rather different, a more sustained engagement between texts and their creators. We are seeking to theorize an interrelation between texts which is fundamental to their ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York