Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
... and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
Halaman
... engagement usually with a single text or source, than the more glancing act of allusion or quotation, even citation, allows. Beyond that, appropriation carries out the same sustained engagement of adaptation but frequently adopts a ...
... engagement usually with a single text or source, than the more glancing act of allusion or quotation, even citation, allows. Beyond that, appropriation carries out the same sustained engagement of adaptation but frequently adopts a ...
Halaman
... engagement between texts and their creators. We are seeking to theorize an interrelation between texts which is fundamental to their existence and which at times seems to get to the heart of the literary, and especially the reading ...
... engagement between texts and their creators. We are seeking to theorize an interrelation between texts which is fundamental to their existence and which at times seems to get to the heart of the literary, and especially the reading ...
Halaman
... engagements behind literary studies, not least film studies, performance studies and translation studies, but also with musicology, computer science and digital humanities, law and economics, not least in the realm of intellectual ...
... engagements behind literary studies, not least film studies, performance studies and translation studies, but also with musicology, computer science and digital humanities, law and economics, not least in the realm of intellectual ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing