Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Julie Sanders. ADAPTATION AND APPROPRIATION Julie Sanders 2nd edition ROUTLEDGE R the NEW CRITICAL IDIOM ADAPTATION AND APPROPRIATION From the apparently simple adaptation of a. Front Cover.
Julie Sanders. ADAPTATION AND APPROPRIATION Julie Sanders 2nd edition ROUTLEDGE R the NEW CRITICAL IDIOM ADAPTATION AND APPROPRIATION From the apparently simple adaptation of a. Front Cover.
Halaman
... edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact ...
... edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact ...
Halaman
... edition by Linda Anderson Class by Gary Day Colonialism/Postcolonialism – third edition by Ania Loomba Comedy – second edition by Andrew Stott Crime Fiction by John Scaggs Culture/Metaculture by Francis Mulhern Dialogue by Peter Womack ...
... edition by Linda Anderson Class by Gary Day Colonialism/Postcolonialism – third edition by Ania Loomba Comedy – second edition by Andrew Stott Crime Fiction by John Scaggs Culture/Metaculture by Francis Mulhern Dialogue by Peter Womack ...
Halaman
... edition by Tony Davies Ideology – second edition by David Hawkes Interdisciplinarity – second edition by Joe Moran Intertextuality – second edition by Graham Allen Irony by Claire Colebrook Literature by Peter Widdowson Lyric by Scott ...
... edition by Tony Davies Ideology – second edition by David Hawkes Interdisciplinarity – second edition by Joe Moran Intertextuality – second edition by Graham Allen Irony by Claire Colebrook Literature by Peter Widdowson Lyric by Scott ...
Halaman
Julie Sanders. ADAPTATION AND APPROPRIATION Second edition Julie Sanders First published 2006 by Routledge 2 Park Square, Milton Park,
Julie Sanders. ADAPTATION AND APPROPRIATION Second edition Julie Sanders First published 2006 by Routledge 2 Park Square, Milton Park,
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing