Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
Dari dalam buku
Hasil 1-5 dari 37
Halaman
... earliest stages and I am grateful to all who attended on that occasion. I underwent my own process of professional adaptation while writing this volume and I thank my new colleagues at the University of Nottingham for making me feel so ...
... earliest stages and I am grateful to all who attended on that occasion. I underwent my own process of professional adaptation while writing this volume and I thank my new colleagues at the University of Nottingham for making me feel so ...
Halaman
... early prominent theorists of this practice emerge from the structuralist and post-structuralist movements of the 1960s, especially in France. In the field of anthropology, Claude Lévi-Strauss conducted many of his researches in terms of ...
... early prominent theorists of this practice emerge from the structuralist and post-structuralist movements of the 1960s, especially in France. In the field of anthropology, Claude Lévi-Strauss conducted many of his researches in terms of ...
Halaman
... early in this study a text as complex and voluminous in its references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or infidelity in the adaptive process and towards more malleable and ...
... early in this study a text as complex and voluminous in its references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or infidelity in the adaptive process and towards more malleable and ...
Halaman
... early modern writers such as Shakespeare (Bate 1993), and acknowledging a strong female presence within the communities of influence (Gilbert and Gubar 2000 [1979]). Nevertheless, Bloom's central thesis of 'misprision', the often ...
... early modern writers such as Shakespeare (Bate 1993), and acknowledging a strong female presence within the communities of influence (Gilbert and Gubar 2000 [1979]). Nevertheless, Bloom's central thesis of 'misprision', the often ...
Halaman
... early modern Veronese tragedy to a contemporary North American setting, Luhrmann retains the play-text's sense of urban gang feuding but accords it a troublingly immediate and topical resonance. Famously, the much-mentioned swords and ...
... early modern Veronese tragedy to a contemporary North American setting, Luhrmann retains the play-text's sense of urban gang feuding but accords it a troublingly immediate and topical resonance. Famously, the much-mentioned swords and ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing