Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... creativity and personalized customizations of the user-maker generation of platforms and sites such as YouTube and YouKu. In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and ...
... creativity and personalized customizations of the user-maker generation of platforms and sites such as YouTube and YouKu. In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and ...
Halaman
... creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest (Barthes 1988; Foucault 1979). Nevertheless the ability of these ...
... creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest (Barthes 1988; Foucault 1979). Nevertheless the ability of these ...
Halaman
... creativity. Certain distinctions remain, nevertheless, crucial to understanding the operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be ...
... creativity. Certain distinctions remain, nevertheless, crucial to understanding the operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be ...
Halaman
... creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, undoubtedly, an active element in many of the postmodern texts explored in the course of this study. There are also important ways in which the ...
... creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, undoubtedly, an active element in many of the postmodern texts explored in the course of this study. There are also important ways in which the ...
Halaman
... creativity. Recent work in translation studies, an important cognate field to adaptation studies, is helpful here in suggesting that even in the context of translation of one text into another language, where the process is in part ...
... creativity. Recent work in translation studies, an important cognate field to adaptation studies, is helpful here in suggesting that even in the context of translation of one text into another language, where the process is in part ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing