Adaptation and Appropriation
Routledge, 19 Nov 2015 - 254 halaman
From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.
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In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and have in turn posed their own challenges to ideas of authorship and intellectual property versus creativity and open access ...
In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest ...
Following on from Barthes's destabilization of textual meaning and authority, however, adaptation and appropriation, as both procedure and process, are celebratory of the cooperative and collaborative model of creativity.
A parallel form in fine art is the creation of collage by assembling found items to create a new aesthetic object, or in contemporary music the creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, ...
... and voluminous in its references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or infidelity in the adaptive process and towards more malleable and productive concepts of creativity.
Apa yang dikatakan orang - Tulis resensi
Or appropriating the facts
Copyright and the work of art in the age