Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and have in turn posed their own challenges to ideas of authorship and intellectual property versus creativity and open access ...
In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and have in turn posed their own challenges to ideas of authorship and intellectual property versus creativity and open access ...
Halaman
In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest ...
In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest ...
Halaman
Following on from Barthes's destabilization of textual meaning and authority, however, adaptation and appropriation, as both procedure and process, are celebratory of the cooperative and collaborative model of creativity.
Following on from Barthes's destabilization of textual meaning and authority, however, adaptation and appropriation, as both procedure and process, are celebratory of the cooperative and collaborative model of creativity.
Halaman
A parallel form in fine art is the creation of collage by assembling found items to create a new aesthetic object, or in contemporary music the creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, ...
A parallel form in fine art is the creation of collage by assembling found items to create a new aesthetic object, or in contemporary music the creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, ...
Halaman
... and voluminous in its references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or infidelity in the adaptive process and towards more malleable and productive concepts of creativity.
... and voluminous in its references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or infidelity in the adaptive process and towards more malleable and productive concepts of creativity.
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York