Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... course, that this activity of investigating or 'reading' adaptations proves self-serving, merely stimulating the afterlife both of texts and of literary criticism as a scholarly pursuit. The literary, media or cultural studies academic ...
... course, that this activity of investigating or 'reading' adaptations proves self-serving, merely stimulating the afterlife both of texts and of literary criticism as a scholarly pursuit. The literary, media or cultural studies academic ...
Halaman
... course be overestimated as the historical depth of adaptation across art forms referred to in this study confirms; what might be more accurate to state, however, is that technology has made us much more aware of this availability of art ...
... course be overestimated as the historical depth of adaptation across art forms referred to in this study confirms; what might be more accurate to state, however, is that technology has made us much more aware of this availability of art ...
Halaman
... course of this study. There are also important ways in which the act of bricolage shades into the literary practice of pastiche. Pastiche is another term of French derivation which, in the musical sphere, refers to a medley of ...
... course of this study. There are also important ways in which the act of bricolage shades into the literary practice of pastiche. Pastiche is another term of French derivation which, in the musical sphere, refers to a medley of ...
Halaman
... course of this volume. Gérard Genette has categorized Ulysses as 'the very type of the self-proclaimed hypertext' and yet as 'an extreme case of emancipation from the hypotext' (1997: 309), with 'hypertext' here equating to the ...
... course of this volume. Gérard Genette has categorized Ulysses as 'the very type of the self-proclaimed hypertext' and yet as 'an extreme case of emancipation from the hypotext' (1997: 309), with 'hypertext' here equating to the ...
Halaman
... course, reworks in his drama many of the structures and storylines of myth and fairy tale, indicating the cultural osmosis that regularly occurs between adaptation, writers, texts and forms. It will be witnessed on countless occasions ...
... course, reworks in his drama many of the structures and storylines of myth and fairy tale, indicating the cultural osmosis that regularly occurs between adaptation, writers, texts and forms. It will be witnessed on countless occasions ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing