Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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There is a danger, of course, that this activity of investigating or 'reading' adaptations proves self-serving, merely stimulating the afterlife both of texts and of literary criticism as a scholarly pursuit.
There is a danger, of course, that this activity of investigating or 'reading' adaptations proves self-serving, merely stimulating the afterlife both of texts and of literary criticism as a scholarly pursuit.
Halaman
The 'newness' of all this can of course be overestimated as the historical depth of adaptation across art forms referred to in this study confirms; what might be more accurate to state, however, is that technology has made us much more ...
The 'newness' of all this can of course be overestimated as the historical depth of adaptation across art forms referred to in this study confirms; what might be more accurate to state, however, is that technology has made us much more ...
Halaman
The purposeful reassembly of fragments to form a new whole is, undoubtedly, an active element in many of the postmodern texts explored in the course of this study. There are also important ways in which the act of bricolage shades into ...
The purposeful reassembly of fragments to form a new whole is, undoubtedly, an active element in many of the postmodern texts explored in the course of this study. There are also important ways in which the act of bricolage shades into ...
Halaman
What this question highlights, however, is the fundamental contradictory impulse towards dependence and liberation implicit in the majority of the adaptations and appropriations that will be invoked in the course of this volume.
What this question highlights, however, is the fundamental contradictory impulse towards dependence and liberation implicit in the majority of the adaptations and appropriations that will be invoked in the course of this volume.
Halaman
The latter playwright, of course, reworks in his drama many of the structures and storylines of myth and fairy tale, indicating the cultural osmosis that regularly occurs between adaptation, writers, texts and forms.
The latter playwright, of course, reworks in his drama many of the structures and storylines of myth and fairy tale, indicating the cultural osmosis that regularly occurs between adaptation, writers, texts and forms.
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York