Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... contemporary literature, theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism ...
... contemporary literature, theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism ...
Halaman
... contemporary music the creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, undoubtedly, an active element in many of the postmodern texts explored in the course of this study. There are also ...
... contemporary music the creative act of 'sampling'. The purposeful reassembly of fragments to form a new whole is, undoubtedly, an active element in many of the postmodern texts explored in the course of this study. There are also ...
Halaman
... contemporary North American setting, Luhrmann retains the play-text's sense of urban gang feuding but accords it a troublingly immediate and topical resonance. Famously, the much-mentioned swords and rapiers of Shakespeare's play-script ...
... contemporary North American setting, Luhrmann retains the play-text's sense of urban gang feuding but accords it a troublingly immediate and topical resonance. Famously, the much-mentioned swords and rapiers of Shakespeare's play-script ...
Halaman
... contemporary film by casting Mel Gibson, best known for the Mad Max action movies (dir. George Miller, 1979, 1981, 1985), as a very particular kind of Hamlet, and playing on the associations of Glenn Close as Gertrude with the box ...
... contemporary film by casting Mel Gibson, best known for the Mad Max action movies (dir. George Miller, 1979, 1981, 1985), as a very particular kind of Hamlet, and playing on the associations of Glenn Close as Gertrude with the box ...
Halaman
... contemporary queer politics and the AIDS epidemic (for a fuller discussion see Chapter 6). Is there particular or distinct pleasure involved for those spectators who can mobilize these nuanced understandings of similarity and difference ...
... contemporary queer politics and the AIDS epidemic (for a fuller discussion see Chapter 6). Is there particular or distinct pleasure involved for those spectators who can mobilize these nuanced understandings of similarity and difference ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing