Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... University of Queensland, University of Notre Dame, Sogang University, and communities of scholars and colleagues at the University of Nottingham Ningbo China and Malaysia for their contributions; to my students Makenzi Crouch, ...
... University of Queensland, University of Notre Dame, Sogang University, and communities of scholars and colleagues at the University of Nottingham Ningbo China and Malaysia for their contributions; to my students Makenzi Crouch, ...
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Returning to my earlier points about Web 2.0 contexts, our attention has now been drawn to whole new communities of practice engaged in adaptive work, not least the fan communities who fashion themselves as makers and producers of new ...
Returning to my earlier points about Web 2.0 contexts, our attention has now been drawn to whole new communities of practice engaged in adaptive work, not least the fan communities who fashion themselves as makers and producers of new ...
Halaman
... indicating, for example, the impact of the classics on early modern writers such as Shakespeare (Bate 1993), and acknowledging a strong female presence within the communities of influence (Gilbert and Gubar 2000 [1979]).
... indicating, for example, the impact of the classics on early modern writers such as Shakespeare (Bate 1993), and acknowledging a strong female presence within the communities of influence (Gilbert and Gubar 2000 [1979]).
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |