Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... century 8. Stretching history: Or, appropriating the facts 9. Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different versions Glossary Bibliography Index SERIES EDITOR'S ...
... century 8. Stretching history: Or, appropriating the facts 9. Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different versions Glossary Bibliography Index SERIES EDITOR'S ...
Halaman
... century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more ...
... century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more ...
Halaman
... century novels, those of Thomas Hardy, the Brontë sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a more sustained ...
... century novels, those of Thomas Hardy, the Brontë sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a more sustained ...
Halaman
... century fiction, and in particular Dickensian narrative, in Jack Maggs, explored in Chapter 7. There are also, in both these novels, moments when bricolage and pastiche are jointly in play, but, on the whole, when assigning a political ...
... century fiction, and in particular Dickensian narrative, in Jack Maggs, explored in Chapter 7. There are also, in both these novels, moments when bricolage and pastiche are jointly in play, but, on the whole, when assigning a political ...
Halaman
... century reduction of the vast scope of the Homeric epic to the micro-geography of a woman's dressing table in his poem 'The Rape of the Lock'. In this respect, Ulysses embodies the reduction and compression that Genette has identified ...
... century reduction of the vast scope of the Homeric epic to the micro-geography of a woman's dressing table in his poem 'The Rape of the Lock'. In this respect, Ulysses embodies the reduction and compression that Genette has identified ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing