Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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'We “other Victorians”': Or, rethinking the nineteenth century 8. Stretching history: Or, appropriating the facts 9. Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different ...
'We “other Victorians”': Or, rethinking the nineteenth century 8. Stretching history: Or, appropriating the facts 9. Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different ...
Halaman
The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing ...
The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing ...
Halaman
Many nineteenth-century novels, those of Thomas Hardy, the Brontė sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a ...
Many nineteenth-century novels, those of Thomas Hardy, the Brontė sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a ...
Halaman
written in the epistolary or journalistic style; Peter Carey effects something similar in his self-conscious revisiting of the tropes and idioms of nineteenth-century fiction, and in particular Dickensian narrative, in Jack Maggs, ...
written in the epistolary or journalistic style; Peter Carey effects something similar in his self-conscious revisiting of the tropes and idioms of nineteenth-century fiction, and in particular Dickensian narrative, in Jack Maggs, ...
Halaman
... and pastiche in this, a version of 'mock-epic' comparable to Alexander Pope's eighteenth-century reduction of the vast scope of the Homeric epic to the micro-geography of a woman's dressing table in his poem 'The Rape of the Lock'.
... and pastiche in this, a version of 'mock-epic' comparable to Alexander Pope's eighteenth-century reduction of the vast scope of the Homeric epic to the micro-geography of a woman's dressing table in his poem 'The Rape of the Lock'.
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |