Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume ...
... canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume ...
Halaman
... canonical works of literature that we look at in this volume openly declare themselves as an interpretation or re-reading of a canonical precursor. Sometimes this will involve a director's personal vision, and it may or may not involve ...
... canonical works of literature that we look at in this volume openly declare themselves as an interpretation or re-reading of a canonical precursor. Sometimes this will involve a director's personal vision, and it may or may not involve ...
Halaman
... canonical texts such as Shakespeare's Romeo and Juliet or Lewis Carroll's Alice in Wonderland might well be via film adaptations or indeed Walt Disney animated versions of so-called classics. As Linda Hutcheon has stressed, in this new ...
... canonical texts such as Shakespeare's Romeo and Juliet or Lewis Carroll's Alice in Wonderland might well be via film adaptations or indeed Walt Disney animated versions of so-called classics. As Linda Hutcheon has stressed, in this new ...
Halaman
... canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge that stylistic imitation is neither the essence nor the sole purpose of the approach to the source text, even though it may be a defining feature ...
... canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge that stylistic imitation is neither the essence nor the sole purpose of the approach to the source text, even though it may be a defining feature ...
Halaman
... canonical status; citation infers authority. To this end, adaptation could be defined as an inherently conservative genre. As Attridge continues: 'through their frequently overt allusiveness ... novels offer themselves not as challenges ...
... canonical status; citation infers authority. To this end, adaptation could be defined as an inherently conservative genre. As Attridge continues: 'through their frequently overt allusiveness ... novels offer themselves not as challenges ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing