Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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As texts develop their own incremental history across time and undergo multiple, often multimodal, and sometimes intercultural forms of adaptation and reinterpretation, it also becomes important to consider how a reader or spectator or ...
As texts develop their own incremental history across time and undergo multiple, often multimodal, and sometimes intercultural forms of adaptation and reinterpretation, it also becomes important to consider how a reader or spectator or ...
Halaman
This resolutely Irish epic compresses the decades and continents of the Homeric text into a single Dublin day, punctuated by pub gatherings and cooking on the stove. Cyclops becomes an obstructive drinker in Barney Kiernan's bar, ...
This resolutely Irish epic compresses the decades and continents of the Homeric text into a single Dublin day, punctuated by pub gatherings and cooking on the stove. Cyclops becomes an obstructive drinker in Barney Kiernan's bar, ...
Halaman
In this respect, adaptation becomes a veritable marker of canonical status; citation infers authority. To this end, adaptation could be defined as an inherently conservative genre. As Attridge continues: 'through their frequently overt ...
In this respect, adaptation becomes a veritable marker of canonical status; citation infers authority. To this end, adaptation could be defined as an inherently conservative genre. As Attridge continues: 'through their frequently overt ...
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What becomes clear as these parts progress is how frequently adaptations and appropriations are impacted as much by movements in and readings produced by the theoretical and intellectual arena as by their explicit source or inspiration ...
What becomes clear as these parts progress is how frequently adaptations and appropriations are impacted as much by movements in and readings produced by the theoretical and intellectual arena as by their explicit source or inspiration ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |