Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... becomes important to consider how a reader or spectator or indeed 'prod-user' (to use Axel Bruns's suggestive phrase, which consciously blurs the idea of usage and production to create a new model of content creation (Bruns 2008)) ...
... becomes important to consider how a reader or spectator or indeed 'prod-user' (to use Axel Bruns's suggestive phrase, which consciously blurs the idea of usage and production to create a new model of content creation (Bruns 2008)) ...
Halaman
... becomes an obstructive drinker in Barney Kiernan's bar, Circe a brothel owner. There is undoubtedly an element of parody and pastiche in this, a version of 'mock-epic' comparable to Alexander Pope's eighteenth-century reduction of the ...
... becomes an obstructive drinker in Barney Kiernan's bar, Circe a brothel owner. There is undoubtedly an element of parody and pastiche in this, a version of 'mock-epic' comparable to Alexander Pope's eighteenth-century reduction of the ...
Halaman
... becomes a veritable marker of canonical status; citation infers authority. To this end, adaptation could be defined as an inherently conservative genre. As Attridge continues: 'through their frequently overt allusiveness ... novels ...
... becomes a veritable marker of canonical status; citation infers authority. To this end, adaptation could be defined as an inherently conservative genre. As Attridge continues: 'through their frequently overt allusiveness ... novels ...
Halaman
... becomes clear as these parts progress is how frequently adaptations and appropriations are impacted as much by movements in and readings produced by the theoretical and intellectual arena as by their explicit source or inspiration text ...
... becomes clear as these parts progress is how frequently adaptations and appropriations are impacted as much by movements in and readings produced by the theoretical and intellectual arena as by their explicit source or inspiration text ...
Halaman
... become active culturally can provide some very focussed clues as to a text's possible meanings and its cultural impact, intended or otherwise, and the purpose behind an act of adaptation. As Robert Weimann stresses, appropriation as an ...
... become active culturally can provide some very focussed clues as to a text's possible meanings and its cultural impact, intended or otherwise, and the purpose behind an act of adaptation. As Robert Weimann stresses, appropriation as an ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing