Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... allusion is a self-confirming exercise is reasonable enough; for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create ...
... allusion is a self-confirming exercise is reasonable enough; for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create ...
Halaman
... allusion, and intertextuality' (2004: 2). We can easily continue the linguistic riff, adding into the mix: variation ... allusions, guests, ghosts of previous texts' (Gilbert and Gubar 2000 [1979]: 46). This volume concerns itself ...
... allusion, and intertextuality' (2004: 2). We can easily continue the linguistic riff, adding into the mix: variation ... allusions, guests, ghosts of previous texts' (Gilbert and Gubar 2000 [1979]: 46). This volume concerns itself ...
Halaman
... allusion or quotation, even citation, allows. Beyond that, appropriation carries out the same sustained engagement of adaptation but frequently adopts a posture of critique, overt commentary and even sometimes assault or attack ...
... allusion or quotation, even citation, allows. Beyond that, appropriation carries out the same sustained engagement of adaptation but frequently adopts a posture of critique, overt commentary and even sometimes assault or attack ...
Halaman
... allusion, collage, bricolage and fragment. As already stressed, in this study we are looking at something rather different, a more sustained engagement between texts and their creators. We are seeking to theorize an interrelation ...
... allusion, collage, bricolage and fragment. As already stressed, in this study we are looking at something rather different, a more sustained engagement between texts and their creators. We are seeking to theorize an interrelation ...
Halaman
... allusions and shaping influences. The café of the title is a literal space in the novel but one that appears able to cross geographical and temporal borders. The characters who visit the café each have a tale to tell and their tales are ...
... allusions and shaping influences. The café of the title is a literal space in the novel but one that appears able to cross geographical and temporal borders. The characters who visit the café each have a tale to tell and their tales are ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing