Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale.
... postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale.
Halaman
'Here's a strange alteration': Shakespearean appropriations 4. 'It's a very old story': Myth and metamorphosis 5. 'Other versions' of fairy tale and folklore PART III Alternative perspectives 6. Constructing alternative points of view 7 ...
'Here's a strange alteration': Shakespearean appropriations 4. 'It's a very old story': Myth and metamorphosis 5. 'Other versions' of fairy tale and folklore PART III Alternative perspectives 6. Constructing alternative points of view 7 ...
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A point of entry for younger people today to canonical texts such as Shakespeare's Romeo and Juliet or Lewis Carroll's Alice in Wonderland might well be via film adaptations or indeed Walt Disney animated versions of so-called classics.
A point of entry for younger people today to canonical texts such as Shakespeare's Romeo and Juliet or Lewis Carroll's Alice in Wonderland might well be via film adaptations or indeed Walt Disney animated versions of so-called classics.
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Many nineteenth-century novels, those of Thomas Hardy, the Brontė sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a ...
Many nineteenth-century novels, those of Thomas Hardy, the Brontė sisters and George Eliot, for example, deployed Shakespearean citations in their work in this manner. But citation is different again from adaptation, which constitutes a ...
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Of course, the intertextuality of Joyce's characters doesn't rest solely with the Homeric comparisons, since Stephen and Leopold's relationship also suggests that of Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates.
Of course, the intertextuality of Joyce's characters doesn't rest solely with the Homeric comparisons, since Stephen and Leopold's relationship also suggests that of Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates.
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |