Adaptation and Appropriation
Routledge, 19 Nov 2015 - 254 halaman
From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.
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The New Critical Idiom is a series of introductory books which seeks to extend the lexicon of literary terms, in order to address the radical changes which have taken place in the study of literature during the last decades of the ...
How might that order of encounter or point of entry alter the terms in which we understand or describe the adaptive experience from the vantage point of the end-user? We will return to these interpretive challenges throughout.
The vocabulary of adaptation is highly labile: Adrian Poole has offered an extensive list of terms to represent the Victorian era's interest in reworking its artistic past: '(in no particular order) ... borrowing, stealing, ...
In that essay she made the much-cited observation that for women writers it was essential to take on the writing of the past in order to move beyond it into a creative space of their own: 'Re-vision, the act of looking back, ...
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Or appropriating the facts
Copyright and the work of art in the age