Jonson, Shakespeare and Early Modern VirgilIn this wide-ranging and original study, Margaret Tudeau-Clayton examines how Virgil--the poet as well as his texts--was mediated in early modern England. She analyzes what was at stake in the reproduction and circulation of these mediations of Virgil, focusing specifically on the works of Ben Jonson and on one of Shakespeare's most resonantly Virgilian plays, The Tempest. She argues that the play offers a complex model of cultural and socio-political resistance by engaging critically not only with contemporary mediations of Virgil, but with the ways they were used, especially by Jonson, to reproduce structures of authority (in relation to nature and language as well as to the socio-political order). She also shows how instructive comparisons may be drawn between the ways Virgil was constructed and used in early modern England and the ways Shakespeare has been constructed and used, especially as national poet, from the early modern period until our own time. |
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PART | 8 |
MODERN ENGLAND | 21 |
an English schoolboys | 44 |
the learned mans Virgils | 78 |
PART | 110 |
Jonsons use of Virgil | 150 |
The Tempest and figures | 194 |
245 | |
262 | |
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Istilah dan frasa umum
Aeneid ancient anti-masque associated authority Brinsley called canonical chapter character circle close commentary common Compare confused contrast course critics cultural described difference discourse discussed earlier early modern echo Eclogues edited effect England English epigram especially example explicitly figure follows formal function Georgics given ground hand human ideal ideological ignorant illustrate imitation implied indicated interpretation John Jonson knowledge language learned less London Macrobius marked masque master meaning mediations mode moral nature noise normative objects once opening Opera opposition original particular passage performed philosopher phrase play poem poet Poetaster points political Pontanus practice precisely privileged produced proper Prospero's published quotation quoted reading recommended relation Renaissance representation represented scene serves Servius Shakespeare specifically speech stage structure Studies suggests Tempest tends tion traditional translation turn underscored University Press Virgil Virgilian voice