Traditions of Gamelan Music in Java: Musical Pluralism and Regional IdentityCUP Archive, 26 Apr 1991 - 291 halaman This book is a wide-ranging study of the varieties of gamelan music in contemporary Java seen from a regional perspective. While the focus of most studies of Javanese music has been limited to the court-derived music of Surakarta and Yogyakarta, Sutton goes beyond them to consider also gamelan music of Banyumas, Semarang and east Java as separate regional traditions with distinctive repertoires, styles and techniques of performance and conceptions about music. Sutton's description of these traditions, illustrated with numerous musical examples in Javanese cipher notation, is based on extensive field experience in these areas and is informed by the criteria that Javanese musicians judge to be most important in distinguishing them. |
Isi
gamelan music of Surakarta | 19 |
gamelan music of Banyumas | 69 |
gamelan music of Semarang ΙΟΙ | 101 |
gamelan music of SurabayaMojokertoMalang | 121 |
formal education | 173 |
print broadcast recording | 192 |
Glossary | 242 |
264 | |
281 | |
287 | |
Edisi yang lain - Lihat semua
Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity R. Anderson Sutton Pratinjau tidak tersedia - 2008 |
Istilah dan frasa umum
accompaniment associated balungan Banyumas Banyuwangi barung beats bonang calung cassette central Java central Javanese consists contests contrast court cultural dance directed discussed distinctive drumming east Java east Javanese ensembles example Figure formal structure four gamelan music gendhing genres given gong heard identified identity important indicated Indonesia influence instruments irama Karawitan kempul kenong known Ladrang lancaran least less listed literally lively Lokananta major Malang melody musicians Nartosabdho notation panerus particular pathet patterns peking pélog performance pieces pitch playing popular practice present province recent recordings refer regional repertory represent sanga saron scale seen Semarang Semarangan similar singing single sléndro sléndro pathet SMKI Solo Solonese Solonese style sometimes sound sources standard style suggest Surabaya Surakarta technique tempo term throughout titles tone tradition tuning usually versions vocal wayang kulit widely Yogya Yogyakarta Yogyanese
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