Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 51
... woman ; never was forsworn ; Scarcely have coveted what was mine own ; At no time broke my faith : would not betray ... woman , he was often also guilty of disguising that woman as a man . Viola's melancholy reflection when she sees ...
... woman ; never was forsworn ; Scarcely have coveted what was mine own ; At no time broke my faith : would not betray ... woman , he was often also guilty of disguising that woman as a man . Viola's melancholy reflection when she sees ...
Halaman 52
... woman acting a boy . Shakespeare draws attention to the boy actor only to confirm his woman's nature . Bianca in The Taming of the Shrew petulantly brushes aside her importunate tutor : I am no breeching scholar in the schools . I'll ...
... woman acting a boy . Shakespeare draws attention to the boy actor only to confirm his woman's nature . Bianca in The Taming of the Shrew petulantly brushes aside her importunate tutor : I am no breeching scholar in the schools . I'll ...
Halaman 53
... woman's part , And I was trimm'd in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment had been made for me ; Therefore I know she is about my height . And at that time I made her weep agood , For I ...
... woman's part , And I was trimm'd in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment had been made for me ; Therefore I know she is about my height . And at that time I made her weep agood , For I ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young