Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 167
... values it illustrates was important to Shakespeare's own time . Difficult as it may be , let us suspend our own values , our contempo- rary basic decencies , if you wish , and strive to become members of a 1596 audience . Let us , in ...
... values it illustrates was important to Shakespeare's own time . Difficult as it may be , let us suspend our own values , our contempo- rary basic decencies , if you wish , and strive to become members of a 1596 audience . Let us , in ...
Halaman 168
... values of the play . ( As a matter of fact , most of the Christian characters are more depictions of values than they are attempts at giving the illusion of substantial dimensionality . To seek psychological depth in them is not only ...
... values of the play . ( As a matter of fact , most of the Christian characters are more depictions of values than they are attempts at giving the illusion of substantial dimensionality . To seek psychological depth in them is not only ...
Halaman 209
... values , and Portia's father's will rules her choice of husbands . Though venturing at Belmont is admittedly idealized - Bas- sanio's quest of Portia is likened to Jason's voyage , thus endowing it with a mythical dimension , and ...
... values , and Portia's father's will rules her choice of husbands . Though venturing at Belmont is admittedly idealized - Bas- sanio's quest of Portia is likened to Jason's voyage , thus endowing it with a mythical dimension , and ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young