Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
Dari dalam buku
Hasil 1-3 dari 82
Halaman 40
... thing " -that perfect Roman his mother envisions him to be . When she pleads with him at Antium not to destroy Rome , that one thing splits in two , like a heart cracking . To pursue his revenge against Rome would indeed be , as he says ...
... thing " -that perfect Roman his mother envisions him to be . When she pleads with him at Antium not to destroy Rome , that one thing splits in two , like a heart cracking . To pursue his revenge against Rome would indeed be , as he says ...
Halaman 253
... things turn to fair , that eyes can see ! " — as well as the stern moral accuracy of the last line , pointed with a ... thing they most do show , Who , moving others , are themselves as stone , Unmoved , cold , and to temptation slow ...
... things turn to fair , that eyes can see ! " — as well as the stern moral accuracy of the last line , pointed with a ... thing they most do show , Who , moving others , are themselves as stone , Unmoved , cold , and to temptation slow ...
Halaman 294
... thing that growes " or of " men as plants , " toward whom he feels kindly pity for their vaunting in ignorance of their fate . We find it in his role as spectator which joins him in " secret " knowledge with the stars who also " comment ...
... thing that growes " or of " men as plants , " toward whom he feels kindly pity for their vaunting in ignorance of their fate . We find it in his role as spectator which joins him in " secret " knowledge with the stars who also " comment ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
1 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young