Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 47
... suggests the milk of human kindness , the naked babe of Pity , and the babe whose brains Lady Macbeth would dash to the ground - all those representations of nurturant tender- ness that Macbeth's resolute dedication to violent deeds was ...
... suggests the milk of human kindness , the naked babe of Pity , and the babe whose brains Lady Macbeth would dash to the ground - all those representations of nurturant tender- ness that Macbeth's resolute dedication to violent deeds was ...
Halaman 97
... suggests that men and women can work together - albeit often awkwardly- to transform a world not deterministically bound by its cultural conventions . Much of Shakespeare's later career suggests how diffi- cult that is . As You Like It ...
... suggests that men and women can work together - albeit often awkwardly- to transform a world not deterministically bound by its cultural conventions . Much of Shakespeare's later career suggests how diffi- cult that is . As You Like It ...
Halaman 146
... suggest that his sadness has its basis in his own anger turned inward , and they hint at the psychological basis for ... suggests the limits of Antonio's solution to the conflict between self - sacrifice and self - assertion . Earlier ...
... suggest that his sadness has its basis in his own anger turned inward , and they hint at the psychological basis for ... suggests the limits of Antonio's solution to the conflict between self - sacrifice and self - assertion . Earlier ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young