Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 148
... relationships appeared . The wordplay on change of sex calls attention to sexual differentiation , a physical par ... relationship that Portia demands need not finally conflict with each other . Portia makes Antonio the intermediary ...
... relationships appeared . The wordplay on change of sex calls attention to sexual differentiation , a physical par ... relationship that Portia demands need not finally conflict with each other . Portia makes Antonio the intermediary ...
Halaman 209
... relationship , perhaps seeks a reward . Gift - giving can be competitive - its " underlying mo- tives are competition , rivalry , show and a desire for greatness and wealth . " Acceptance of a gift creates a reciprocal relationship by ...
... relationship , perhaps seeks a reward . Gift - giving can be competitive - its " underlying mo- tives are competition , rivalry , show and a desire for greatness and wealth . " Acceptance of a gift creates a reciprocal relationship by ...
Halaman 210
... relationship . Commentators have often remarked Shakespeare's introduction of the theme of friendship , a shift from the paternal / filial relation- ship of Il Pecorone usually recognized as the Merchant's primary source . But the ...
... relationship . Commentators have often remarked Shakespeare's introduction of the theme of friendship , a shift from the paternal / filial relation- ship of Il Pecorone usually recognized as the Merchant's primary source . But the ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young