Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 142
... RELATIONS Marianne Novy ( essay date 1984 ) SOURCE : " Giving and Taking in The Merchant of Venice , " in Love's Argument : Gender Relations in Shakespeare , The University of North Carolina Press , 1984 , pp . 63-82 . [ In the ...
... RELATIONS Marianne Novy ( essay date 1984 ) SOURCE : " Giving and Taking in The Merchant of Venice , " in Love's Argument : Gender Relations in Shakespeare , The University of North Carolina Press , 1984 , pp . 63-82 . [ In the ...
Halaman 210
... relations from the homoerotic to the competitive to the commercial . Re- cently Eve Sedgwick has made the perspectives first conceptualized by Kristeva and Irigaray available to the Anglo - American reader by appropriating the term ...
... relations from the homoerotic to the competitive to the commercial . Re- cently Eve Sedgwick has made the perspectives first conceptualized by Kristeva and Irigaray available to the Anglo - American reader by appropriating the term ...
Halaman 367
... relations be- tween themselves seems to be the prerequisite for their establishing relations between themselves and women . The young men begin by defining themselves in terms of their male companions- " find his fellow . . . lose ...
... relations be- tween themselves seems to be the prerequisite for their establishing relations between themselves and women . The young men begin by defining themselves in terms of their male companions- " find his fellow . . . lose ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young