Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 123
... bond " ( IV.i.229-30 ) . Portia presses the consideration of equity ; the practical effect of administering the letter of the bond will be an un- specified personal consequence , the loss of Antonio's life . " Have by some surgeon ...
... bond " ( IV.i.229-30 ) . Portia presses the consideration of equity ; the practical effect of administering the letter of the bond will be an un- specified personal consequence , the loss of Antonio's life . " Have by some surgeon ...
Halaman 125
... bond of Portia and Bassanio the higher sort of blind love , a Christian relationship based on total trust and faith . Discussing the plot , the bond , and the ring as the controlling metaphors of the play , Sigurd Burckhardt concludes ...
... bond of Portia and Bassanio the higher sort of blind love , a Christian relationship based on total trust and faith . Discussing the plot , the bond , and the ring as the controlling metaphors of the play , Sigurd Burckhardt concludes ...
Halaman 174
... bond ? Portia : It is not so express'd ; but what of that ? ' Twere good you do so much for charity . Shylock : I cannot find it ; ' tis not in the bond . Antonio is spiritually ready : " I am arm'd and well prepar'd . " Bassanio and ...
... bond ? Portia : It is not so express'd ; but what of that ? ' Twere good you do so much for charity . Shylock : I cannot find it ; ' tis not in the bond . Antonio is spiritually ready : " I am arm'd and well prepar'd . " Bassanio and ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young