Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Halaman 4
... Merchant of Venice . Then , students vote for their favorite character , and draw various kinds of graphs showing the results of the poll . Science / Health : Health Issues during Shakespeare's Time : Have students create a newspaper ...
... Merchant of Venice . Then , students vote for their favorite character , and draw various kinds of graphs showing the results of the poll . Science / Health : Health Issues during Shakespeare's Time : Have students create a newspaper ...
Halaman 3
William Shakespeare George Steevens. THE MERCHANT OF VENICE . ] The reader will find a dif- tina epitome of the novels from which the ftory of this play is fuppofed to be taken , at the ... MERCHANT OF VENICE.] The reader will find ...
William Shakespeare George Steevens. THE MERCHANT OF VENICE . ] The reader will find a dif- tina epitome of the novels from which the ftory of this play is fuppofed to be taken , at the ... MERCHANT OF VENICE.] The reader will find ...
Halaman 171
... Venice ; a Christian , worse than if of the stock of Barra- bas , claims his daughter ; to his ancient grudge is added the curse of his nation ; since his fall , then , is inevitable , let him redeem his vow and drag down Anthonio with ...
... Venice ; a Christian , worse than if of the stock of Barra- bas , claims his daughter ; to his ancient grudge is added the curse of his nation ; since his fall , then , is inevitable , let him redeem his vow and drag down Anthonio with ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young