Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
Dari dalam buku
Hasil 1-3 dari 40
Halaman 76
... Cleopatra , a play which , like Egypt's crocodile , is shaped only like " itself . " Antony at first evades full commitment to Cleopatra by playing the romantic lover , and she responds by playing the mocking , realistic beloved ; both ...
... Cleopatra , a play which , like Egypt's crocodile , is shaped only like " itself . " Antony at first evades full commitment to Cleopatra by playing the romantic lover , and she responds by playing the mocking , realistic beloved ; both ...
Halaman 83
... Cleopatra and his acknowledgment of her power . His invocation to Cleopatra's planet , the moon- " O sovereign mistress . of true melancholy , The poisonous damp of night disponge upon me " ( IV.ix. 12-13 ) -recalls the " dis- candying ...
... Cleopatra and his acknowledgment of her power . His invocation to Cleopatra's planet , the moon- " O sovereign mistress . of true melancholy , The poisonous damp of night disponge upon me " ( IV.ix. 12-13 ) -recalls the " dis- candying ...
Halaman 84
... Cleopatra could become herself , but with Caesar she can only play false . Act- ing for Caesar , in the absence of Antony , Cleopatra becomes more elusive than formerly . ( Similarly , An- tony's motives are most opaque when he is apart ...
... Cleopatra could become herself , but with Caesar she can only play false . Act- ing for Caesar , in the absence of Antony , Cleopatra becomes more elusive than formerly . ( Similarly , An- tony's motives are most opaque when he is apart ...
Isi
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Hak Cipta | |
1 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
Istilah dan frasa umum
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young