Legacy, Volume 7,Masalah 1Department of English, University of Massachusetts, 1990 |
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Halaman 8
... posture in the narrative voice ; we watch with the narrator as Carrie responds instinctively to stimuli in patterns as hopelessly repetitive as the most primitive organism's . In this way the narrative posture itself helps to generate ...
... posture in the narrative voice ; we watch with the narrator as Carrie responds instinctively to stimuli in patterns as hopelessly repetitive as the most primitive organism's . In this way the narrative posture itself helps to generate ...
Halaman 11
... posture sometimes seems lost on the artists themselves ; and perhaps it is this blind spot which , influencing the authors ' vision of reality and expressing itself in their posture toward their material , generates in readers the sense ...
... posture sometimes seems lost on the artists themselves ; and perhaps it is this blind spot which , influencing the authors ' vision of reality and expressing itself in their posture toward their material , generates in readers the sense ...
Halaman 20
... posture for understanding the Other . Of course , the aim of this fiction is not primarily to understand the Other ( as is the case , for example , in Jewett's and Freeman's fiction ) but rather to understand the larger social and ...
... posture for understanding the Other . Of course , the aim of this fiction is not primarily to understand the Other ( as is the case , for example , in Jewett's and Freeman's fiction ) but rather to understand the larger social and ...
Isi
Sentiment Naturalism and the Female Regionalist Elaine Sargent Apthorp | 3 |
Role Reversal as Liberation in Sarah Orne Jewetts | 23 |
Toms Husband by Sarah Orne Jewett | 30 |
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