Shakespeare's Practical Jokes: An Introduction to the Comic in His WorkBucknell University Press, 2007 - 236 halaman There is a mountain of work on Shakespeare's comedies but very little on what, in all the plays, can be described as comic. This title approaches this topic via a number of practical joke episodes, some of them well known - the deceptions Hal and Poins practice on Falstaff, the tricking of Malvolio or Parolles. |
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Halaman 15
... kind of play , comedy in the sense of what makes us smile or laugh is conceived by Frye as merely incidental.2 young We expect comedies to be comic — that what we find in a comedy will be precisely that - but there is no complete ...
... kind of play , comedy in the sense of what makes us smile or laugh is conceived by Frye as merely incidental.2 young We expect comedies to be comic — that what we find in a comedy will be precisely that - but there is no complete ...
Halaman 87
... kind of comedy that writers such as Meredith discussed ; and it is the psy- chology of this kind of comic effect with which Bergson was con- cerned in Le Rire . While some of the more important recent studies in the subject , such as ...
... kind of comedy that writers such as Meredith discussed ; and it is the psy- chology of this kind of comic effect with which Bergson was con- cerned in Le Rire . While some of the more important recent studies in the subject , such as ...
Halaman 118
... kind of social ' ragging . " " The appropriateness of this kind of language to a study of practical 118 SHAKESPEARE'S PRACTICAL JOKES.
... kind of social ' ragging . " " The appropriateness of this kind of language to a study of practical 118 SHAKESPEARE'S PRACTICAL JOKES.
Isi
Acknowledgments | 11 |
Female Victims and Female Jokers | 32 |
The Privileges of Rank | 58 |
Hak Cipta | |
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Shakespeare's Practical Jokes: An Introduction to the Comic in His Work David Ellis Pratinjau terbatas - 2007 |
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Istilah dan frasa umum
able All's already amusement appears asks audience becomes beginning Bergson Bertram Cambridge certainly character claim clear clown comedy comes comic concerned confidence trick critics deception described difficulty discussing Edited effect Elizabethan English episode especially essay example explain fact Falstaff feel Feste figure final fool funny give given hand Henry human humor immediately important interest John jokers kind King laugh laughter least less letter lines live London lord Malvolio Maria matter means nature never Night Olivia once Oxford Parolles performance perhaps person play Poins political practical joke provides question reason reference remarks response role says scene seems sense Shake Shakespeare situation social someone stage story suggest tells things thought tion trick true Twelfth Night University Press usually victim wants writes young