Legacy, Volume 23,Masalah 1Department of English, University of Massachusetts, 2006 |
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Halaman 48
... color , infusing the film with that color , and then running the strips synchronously . Such a process , Tane's poem suggests , mimic- ked the pattern of work and leisure for many workers . Much like the " comics " the nation set- tles ...
... color , infusing the film with that color , and then running the strips synchronously . Such a process , Tane's poem suggests , mimic- ked the pattern of work and leisure for many workers . Much like the " comics " the nation set- tles ...
Halaman 53
... color of silence is green , and not the color of death ! ( 1-34 ) " Evacuations " shares with another New En- glander , Emily Dickinson , a desire to distort conventional form and rhyme . Note how Tane's lineation buries rhymes within ...
... color of silence is green , and not the color of death ! ( 1-34 ) " Evacuations " shares with another New En- glander , Emily Dickinson , a desire to distort conventional form and rhyme . Note how Tane's lineation buries rhymes within ...
Halaman 54
... color of silence is green , / and not the color of death ! " ( 32-34 ) . Unlike mass consumption and mass culture , then , which in other poems merely lead one back to the society one sought to escape , Tane holds on to a belief in ...
... color of silence is green , / and not the color of death ! " ( 32-34 ) . Unlike mass consumption and mass culture , then , which in other poems merely lead one back to the society one sought to escape , Tane holds on to a belief in ...
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Reading Contexture in Emily | 1 |
Motherhood as Resistance in Harriet Jacobss | 14 |
Caresse Crosby | 30 |
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