Legacy, Volume 23,Masalah 1Department of English, University of Massachusetts, 2006 |
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Halaman 11
... audience and reader quite deliberately because rhetorically there is a profound difference between the reading public ( or individual ) an author has in mind at textual produc- tion and a person who happens to open a book atem- porally ...
... audience and reader quite deliberately because rhetorically there is a profound difference between the reading public ( or individual ) an author has in mind at textual produc- tion and a person who happens to open a book atem- porally ...
Halaman 12
... audience , but few letters after 1863 survive ; Higginson was a long - time audience , but not an intimate one . 9. All references to Dickinson's letters are from Johnson and Ward's three volume edition of The Let- ters of Emily ...
... audience , but few letters after 1863 survive ; Higginson was a long - time audience , but not an intimate one . 9. All references to Dickinson's letters are from Johnson and Ward's three volume edition of The Let- ters of Emily ...
Halaman 17
... audience . These wo- men would have been especially sympathetic to Jacobs's struggle to honor the relationship between reproduction and the development of familial bonds , given the pervasiveness of sex- ual encounters between white men ...
... audience . These wo- men would have been especially sympathetic to Jacobs's struggle to honor the relationship between reproduction and the development of familial bonds , given the pervasiveness of sex- ual encounters between white men ...
Isi
Reading Contexture in Emily | 1 |
Motherhood as Resistance in Harriet Jacobss | 14 |
Caresse Crosby | 30 |
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Istilah dan frasa umum
African American AME Zion American Women argues audience autobiography Bates Bates's Black Sun Press Black Women body Boston breast cancer Caresse Crosby Caresse Crosby Collection century child color Coman's death critical Crosby's culture Day in Technicolor Dickin Dickinson's letters disease editions Elizabeth Ellen Emily Dickinson epistolary escape essay father female feminine Fiction Foote's freedom friends gender genre Harriet Harriet Jacobs Harry Crosby Headline Fugitive Holland Hopkins Hopkins's identity Jacobs Journal Katharine Coman Katharine Lee Bates Katharine's Kay Boyle language Legacy Linda literary Literature lives maternal Meer modern modernist mother motherhood Nineteenth-Century novel pain Passionate poems poet political preach prose published readers relationship role sentiment sexual sister slave slavery social Spring stanza surgery Susan Tane Tane's poetry Technicolor tion Uncle Tom's Cabin University Wellesley College Willa Cather woman Women Writers words workers writing wrote York Zion Church