The Time Is Out of Joint: Shakespeare as Philosopher of HistoryRowman & Littlefield Publishers, 23 Jul 2002 - 384 halaman The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness. |
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Halaman 25
... Thou art thyself, though not a Montague. / What's Montague? It is nor hand, nor foot, / Nor arm, nor face, nor any other part / Belonging to a man. . . .What's in a name? That which we call a rose / By any other word would smell as ...
... Thou art thyself, though not a Montague. / What's Montague? It is nor hand, nor foot, / Nor arm, nor face, nor any other part / Belonging to a man. . . .What's in a name? That which we call a rose / By any other word would smell as ...
Halaman 38
... thou aught else but place, degree, and form, / Creating awe and fear in other men? / Wherein thou art less happy, being feared, / Than they in fearing. . . .No, not all these, thrice-gorgeous ceremony, / Not all these, laid in bed ...
... thou aught else but place, degree, and form, / Creating awe and fear in other men? / Wherein thou art less happy, being feared, / Than they in fearing. . . .No, not all these, thrice-gorgeous ceremony, / Not all these, laid in bed ...
Halaman 47
... thou didst ever hold me in thy heart, / Absent thee from felicity a while . . .To tell my story” (5.2.296–301).The dying Hamlet is blackmailing Horatio with love (“If thou didst ever hold me in thy heart . . .”).Yes, things “standing ...
... thou didst ever hold me in thy heart, / Absent thee from felicity a while . . .To tell my story” (5.2.296–301).The dying Hamlet is blackmailing Horatio with love (“If thou didst ever hold me in thy heart . . .”).Yes, things “standing ...
Halaman 55
... Thou shalt find / That I'll resume the shape which thou dost think / I have cast off forever” (Quarto1.4.302–4). Here he still believes that he will turn from the ghost ofa king back into a real king. To become a shadow ofa king at ...
... Thou shalt find / That I'll resume the shape which thou dost think / I have cast off forever” (Quarto1.4.302–4). Here he still believes that he will turn from the ghost ofa king back into a real king. To become a shadow ofa king at ...
Halaman 56
... Thou wert better in grave than to answer with thy uncovered body this extremity of the skies. Is man no more than this? Consider him well.Thou owe'st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha! here's ...
... Thou wert better in grave than to answer with thy uncovered body this extremity of the skies. Is man no more than this? Consider him well.Thou owe'st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha! here's ...
Isi
1 | |
13 | |
Part II The History Plays
| 161 |
Part III Three Roman Plays
| 279 |
Postscript Historical Truth and Poetic Truth
| 367 |
About the Author
| 375 |
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The Time is Out of Joint: Shakespeare as Philosopher of History Agnes Heller Pratinjau terbatas - 2002 |
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