A Midsummer Night's DreamChange and transformation are central to the action, themes and language of A Midsummer Night's Dream. In this lucid study Helen Hackett shows how the play participates in a widespread 1590s concern with mutability; often, as here, expressed through moon-imagery, and associated with representations of the ageing Virgin Queen. However, it is also very much a play about procreative change, set at one of the 'green hinges' of the year, to use Angela Carter's phrase. The happy ending is marked by multiple marriages; and yet, these marriages have been achieved through conflict and force. Comedy veers close to tragedy, and vice versa in the inset Pyramus and Thisbe performance, illustrating Shakespeare's sense of the innate indeterminacy of genres. It is also Shakespeare's most Spenserian play in its depiction of a supernaturally animated natural world, providing the grounds for the characterization of Shakespeare as a poet of nature which was to prove so influential for Milton and the Romantics. |
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Isi
INTRODUCTION | 7 |
FURTHER READING | 39 |
A MIDSUMMER NIGHTS DREAM | 41 |
COMMENTARY | 123 |
AN ACCOUNT OF THE TEXT | 165 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
actors appear Athens audience bear beginning Books BOTTOM break cause characters comedy comes dance death Demetrius desire doth Duke edition effect Egeus Elizabethan Enter Exit eyes fair fairy fear flower Flute Folio follow gentle give gone hand hast hate hath head hear heart Helena Hermia Hippolyta hold imagination kill ladies leave light lines Lion look lord Love's lovers Lysander mark means meet Midsummer Night's Dream mind moon nature never night Oberon passage Penguin performance perhaps Philostrate play present Puck Pyramus Quarto Queen QUINCE reason reference Robin scene seems seen sense Shakespeare sleep Snout Snug speak speech stage direction stand Starveling suggest sweet tell theatre thee Theseus things Thisbe thou Titania true truth turn verse voice wake wall wood write young
Buku ini dirujuk
Globalization: A Critical Introduction Jan Aart Scholte,Professor Jan Aart Scholte Pratinjau tidak tersedia - 2000 |