Edvard Munch and the Physiology of SymbolismFairleigh Dickinson Univ Press, 2002 - 139 halaman This book explores how and why the influential Norwegian artist Edvard Munch exploted late nineteenth-century physiology as a means to express the Symbolist soul. Munch's series of paintings through the 1890s, known collectively as the 'Frieze of Life', looked to the physiologically functioning (and malfunctioning) living organism for both its visual and organized metaphors. |
Isi
Preface | 9 |
The Physiological Context for Munchs Early Artistic Maturation in France | 15 |
Munchs Biography in the Context of Physiology | 21 |
The Physiological Basis of The Frieze of Life | 28 |
The Physiology of Artistic Creation | 39 |
The Relation between Body and Mind in Munchs Work | 51 |
The Embryology of the Soul | 60 |
Its Physiology PathoPhysiology and Therapeutics | 78 |
The Physiology of Inherited Disease Death and Immortality | 90 |
Metabolism and Munchs Ideas on the Meaning of Art and Life | 97 |
Notes | 107 |
125 | |
134 | |
Edisi yang lain - Lihat semua
Edvard Munch and the Physiology of Symbolism Shelley Wood Cordulack,Edvard Munch Pratinjau tidak tersedia - 2002 |
Istilah dan frasa umum
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