Edvard Munch and the Physiology of Symbolism

Sampul Depan
Fairleigh Dickinson Univ Press, 2002 - 139 halaman
This book explores how and why the influential Norwegian artist Edvard Munch exploted late nineteenth-century physiology as a means to express the Symbolist soul. Munch's series of paintings through the 1890s, known collectively as the 'Frieze of Life', looked to the physiologically functioning (and malfunctioning) living organism for both its visual and organized metaphors.
 

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The Physiological Context for Munchs Early Artistic Maturation in France and Germany 18891895
15
Munchs Biography in the Context of Physiology
21
The Physiological Basis of The Frieze of Life
28
The Physiology of Artistic Creation
39
Psychophysiology The Relation between Body and Mind in Munchs Work
51
The Embryology of the Soul
60
Love Its Physiology PathoPhysiology and Therapeutics
78
The Physiology of Inherited Disease Death and Immortality
90
Metabolism and Munchs Ideas on the Meaning of Art and Life
97
Notes
107
Bibliography
125
Index
134
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