The Feminist, the Housewife, and the Soap OperaClarendon Press, 2000 - 253 halaman The Feminist, the Housewife, and the Soap Opera traces the history of the feminist engagement with soap opera using a wide range of sources from programme publicity to interviews with key soap opera scholars. The book reveals that feminist scholarship on soap opera was a significant site ofwhich the identity 'feminist intellectual' was produced in dialogue with her imagined other, the soap opera watching housewife. The book integrates personal autobiographical accounts within a broader history which traces both the move from 'women's liberation' to 'Feminism', and the acceptance ofsoap opera as a serious object of study. |
Isi
Womens Genres and Female Agency | 19 |
Early Work on Soap Opera | 37 |
The Housewife in 1940s Mass Communication | 43 |
Hak Cipta | |
8 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Istilah dan frasa umum
academic analysis Angela McRobbie argue argument audience Bet Lynch British British Film Institute CALIFORNIA/SANTA CRUZ Chapter Christine Geraghty clearly concerns context Coronation Street Crossroads CRUZ The University cultural studies Dallas daytime Dorothy Hobson early EastEnders Edinburgh Television Festival Ellen Seiter engagement ethnographic example fantasy female femi femininity feminism feminist critics feminist research fiction gender Herzog housewife identity intellectual interest interview investigation issue kind listeners London Lopate Marxism Mattelart Meg Mortimer melodrama Modleski narrative Noele Gordon object of study offers particular partly period pleasure political popular culture position production programme Radway relation research on soap romance second-wave second-wave feminism serial significant soap opera specific story study of soap suggests talk television Terry Lovell theoretical thing University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA viewers viewing watching soap opera woman Women and Film women's culture women's genres writing