JAMES PYLE'S THE SCRIPTURES TRUE PEARLINE The Most Useful WASHING COMPOUND EVER PUT BEFORE THE PUBLIC. Every lady, whether housekeeping or boarding, should become acquainted with its utility. It will be found as handy to have in the boudoir -for removing stains from small articles, for bathing, or for cleaning jewelry, etc.-as in the laundry or kitchen Sold by all first-class grocers; but see that spurious articles are not forced upon you. JAMES PYLE, New York. Historical Evidences of the Truth of the Scriptures, with special reference to the doubts and discoveries of modern times. By GEORGE RAWLINSON, author of "Seven Great Monarchies of the Ancient Eastern World," etc. New edition with the notes translated by A. N. Arnold. Price reduced from $1.75 to 50 cents. Postage 10c. extra. "We remember the intense interest with which we read these lectures at the beginning of our ministerial course. The historical principles which Rawlinson lays down and applies, and the wealth of facts which he subsidizes, remain in support of the divine word against current assailants, We are, therefore, glad to see this new edition of the lectures."-Presbyterian Journal, Philadelphia, Pa. "A book of great value, and especially adapted to meet the objections of skeptics at the present day. Mr. R wlinson, from his accurate knowledge of the literary monuments of antiquity, as well as the remarkable discoveries which have recently been made in the valleys of the Euphrates and the Nile, was peculiarly qualified for his work, and he has brought his vast stores of knowledge to confirm the historical accuracy of the Scriptures in a most convincing manner."- Methodist Recorder, Pittsburgh, Pa. THE PENN PUBLISHING CO. 802 CHESTNUT ST., PHILADELPHIA. Shakespeariana. While aiming to furnish a recognized medium for the interchange of views among Shakespearian scholars, and to afford the student the fullest information to Shakespeare's art, life and writings, SHAKESPEARIANA is specially designed to extend the influence of Shakespeare, as a popular educator, and to stimulate the study of his works in our colleges and institutions of learning. $1.50 PER YEAR. Leonard Scott Publication Co., 1104 Walnut Street, Philadelphia. Mary Anderson and Modjeska. Edwin Booth's Season. The Booth-Salvini Season. Mme. Modjeska in The Two Gentlemen of Verona Adelaide Moore in As You Like It. John McCullough's Monument. FOREIGN NOTES. Hamlet in Paris. Rénan's 1802. 126 127 Mr. Irving's Faust. 134 THE PICTURES AT THE GARRICK CLUB. Of the pictures now at the Garrick Club the bulk and backbone of the collection consists of the gallery formed long ago by the elder Mathews. A passion for collecting theatrical portraits was early developed in that eminent actor, and was greatly aided by his good fortune in securing the bulk of the pictures in this series which had belonged to Mr. Harris, the old lessee of Covent Carden. Mrs. Mathews, his wife and biographer, tells us how the pictures were saved from the swindling tenant that robbed them of their rent in the King's Road cottage. Mathews's "giant hobby," as she calls it, was then (1814) in its infancy, but the Mr. Tonson who succeeded them in the cottage begged to be allowed to retain the pictures, which were then hanging in one small room. But Mathews would as soon have left behind him an eye or a limb as these his treasures." When times became more prosperous, and Mathews took the house at Hampstead, he was at great pains to build a gallery on purpose for his pictures. They had now increased considerably in number, and were not the least potent of the attractions in his charming home. Yet his gallery was a constant trouble to him. Some of his grievances with regard to it have been preserved, and are sufficiently amusing. Applications to see the pictures were very numerous, but all comers were not equally appreciative. When Mathews welcomed an earnest and intelligent visitor, he called it "receiving a dividend" on his outlay; and it was really a treat, Mrs. Mathews tells us, to listen to his extempore catalogue, his anecdotes, and his imitations of the persons portrayed. But he was constantly annoyed by inquisitive creatures who came to see the actor celebrity rather than the pictures he owned. Their absurd and inappropriate remarks chafed him terribly, and often enough he would escape, declaring it was time to take his afternoon ride. Some of these mistakes, which so irritated and exasperated Mr. Mathews, are worth repeating. That Harloe's fine picture of Mrs. Siddons as Lady Macbeth should be thought a portrait of Mrs. Mathews; that Dewilde's exquisite portrait of Miss De Camp (Mrs. Charles Kemble) in male attire, as Patie in the Gentle Shepherd, should be thought to represent Master Betty; or that he should be asked by a person, who had evidently never entered a London theatre, why there was no portrait of Milton with the rest, are humorous illustrations of the stupidity of Mr. Mathews' сб |