A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, AltmanOxford University Press, 2000 - 484 halaman In this twentieth-anniversary millennial edition, Kolker continues and expands his inquiry into the cinematic representation of culture by updating and revising the chapters on the directors discussed in the first edition-- Stanley Kubrick, Martin Scorsese, Robert Altman, and Steven Spielberg-- to include their most important works since 1988, analyzing those films which have made important advances in the directors' careers and which have given cause for rethinking the films that preceded them. Included is a profile of Arthur Penn's career followed by a new comparative study of Oliver Stone, who mirrors Penn's practice of drawing his films out of historical and ideological currents. Placing the films of Penn, Stone, Kubrick, Scorsese, Spielberg, and Altman in an ideological perspective, Kolker both illuminates their relationship to one another and to larger currents in our culture, and emphasizes the statements their films make about American society and culture. This edition includes a new preface, a requiem for Stanley Kubrick, updated filmography, and 48 images from various films discussed through the text. |
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A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman Robert Phillip Kolker Pratinjau terbatas - 2000 |
Istilah dan frasa umum
action Alex American film attempts audience Barry Lyndon becomes Bill Bonnie and Clyde camera Cast characters Charlie cinema Clockwork Orange complex conventions create culture David Direction director discourse domestic Editing emotional Eyes Wide Shut fantasy fiction figure film noir film's filmmakers finally Full Metal Jacket gangster gaze genre GoodFellas Harry hero Hollywood ideological images individual isolation Jack Jake John kill Kubrick look male Marlowe McCabe Mean Streets Michael Mickey Miller mise-en-scène move movement movie Music narrative Natural Born Killers nineties Nixon offered Oliver Stone Panavision passivity Paths of Glory Penn Penn's perception Photography Panavision play point of view political postmodern Produced Production design Rambo represented response Richard Robert Altman Robert De Niro Scorsese Scorsese's screen Script sequence seventies sexual shot space Spielberg Stanley Kubrick Strangelove structure studio Taxi Driver television track Travis Travis's Vietnam viewer violence visual voice woman zoom