The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 56
... understanding of life . His own forgiveness of life . This is what makes him so very great . So extraordinary . My wife said the other day , there is a man I wish God had let live . Let him write about the present day . We certainly ...
... understanding of life . His own forgiveness of life . This is what makes him so very great . So extraordinary . My wife said the other day , there is a man I wish God had let live . Let him write about the present day . We certainly ...
Halaman 129
... understanding of what that portrait of da Vinci gives me , no , there's no fun in magic ; there's no fun in the discovery of evil ; there's no fun in surveying human character ; there's no fun in living a life which irrevocably ends in ...
... understanding of what that portrait of da Vinci gives me , no , there's no fun in magic ; there's no fun in the discovery of evil ; there's no fun in surveying human character ; there's no fun in living a life which irrevocably ends in ...
Halaman 178
... understanding of the nature of imagination . It reveals the quality of his mind and may also reveal the reason why Hippolyta can possibly be in love with him . In addition , he is even - tempered ; he is moderate ; a ruler but he ...
... understanding of the nature of imagination . It reveals the quality of his mind and may also reveal the reason why Hippolyta can possibly be in love with him . In addition , he is even - tempered ; he is moderate ; a ruler but he ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |