The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 52
... turn aside and spit upon me , and now you come to me for money ? It is to laugh ! " Now , the fact of this spitting which is ugly , vulgar , disgusting , disgusting — do I have to tell anybody here what it is like to be spat on , even ...
... turn aside and spit upon me , and now you come to me for money ? It is to laugh ! " Now , the fact of this spitting which is ugly , vulgar , disgusting , disgusting — do I have to tell anybody here what it is like to be spat on , even ...
Halaman 122
... turn it on . That emotion must be wooed , charmed , invited . Some people can " turn it on , " but that's a sometime thing . It'll come sometimes and other times it won't . A well- chosen , meaningful Spine will help in harnessing and ...
... turn it on . That emotion must be wooed , charmed , invited . Some people can " turn it on , " but that's a sometime thing . It'll come sometimes and other times it won't . A well- chosen , meaningful Spine will help in harnessing and ...
Halaman 133
... turn or two I'll walk , / To still my beating mind . " " You go into the cell , " I say . And they answer , " We wish your peace . " Well , this is an indication , Shakespeare's indication , of the nature of that whole moment . Pro ...
... turn or two I'll walk , / To still my beating mind . " " You go into the cell , " I say . And they answer , " We wish your peace . " Well , this is an indication , Shakespeare's indication , of the nature of that whole moment . Pro ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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