The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 27
... there's not one of us ( and since I don't exempt myself from this , why should I exempt anybody else ? ) there's not one of us who ← brings enough of himself to bear upon the character that he plays . That's no criticism , it's just ...
... there's not one of us ( and since I don't exempt myself from this , why should I exempt anybody else ? ) there's not one of us who ← brings enough of himself to bear upon the character that he plays . That's no criticism , it's just ...
Halaman 129
... there's no fun in magic ; there's no fun in the discovery of evil ; there's no fun in surveying human character ; there's no fun in living a life which irrevocably ends in a useless death . Where then is the solution ? The solu- tion ...
... there's no fun in magic ; there's no fun in the discovery of evil ; there's no fun in surveying human character ; there's no fun in living a life which irrevocably ends in a useless death . Where then is the solution ? The solu- tion ...
Halaman 190
... there's no question I was fairly exhausted . I even have pictures to prove it . The second part of the play began with the final hovel scene where Lear is going over the borderline to madness and where he arraigns the two wicked ...
... there's no question I was fairly exhausted . I even have pictures to prove it . The second part of the play began with the final hovel scene where Lear is going over the borderline to madness and where he arraigns the two wicked ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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