The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 28
... tell whatever tension is there to disappear . Don't lie back but pull yourself up and be attentive ; maintain the ease that you are demanding of yourself . And again , say to the muscles on your face , give them the order , ( not ...
... tell whatever tension is there to disappear . Don't lie back but pull yourself up and be attentive ; maintain the ease that you are demanding of yourself . And again , say to the muscles on your face , give them the order , ( not ...
Halaman 29
... tell you the following : that what you are now doing is a very creative thing . You are preparing your whole psyche , your whole mind and soul , to participate in a task , in something to take place on the stage . By your attention to ...
... tell you the following : that what you are now doing is a very creative thing . You are preparing your whole psyche , your whole mind and soul , to participate in a task , in something to take place on the stage . By your attention to ...
Halaman 52
... tell anybody here what it is like to be spat on , even if you haven't been ? If someone with full intention to insult and wound and denigrate and repress were to deliberately and vulgarly spit on you , do I have to tell you what would ...
... tell anybody here what it is like to be spat on , even if you haven't been ? If someone with full intention to insult and wound and denigrate and repress were to deliberately and vulgarly spit on you , do I have to tell you what would ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |