The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 170
... soliloquy we will understand all that he has done from the beginning , up until this moment , and throughout every ... soliloquy , in actual contact with these Objects , physical even though they are imaginary . But the study of the ...
... soliloquy we will understand all that he has done from the beginning , up until this moment , and throughout every ... soliloquy , in actual contact with these Objects , physical even though they are imaginary . But the study of the ...
Halaman 170
... soliloquy we will understand all that he has done from the beginning , up until this moment , and throughout every ... soliloquy , in actual contact with these Objects , physical even though they are imaginary . But the study of the ...
... soliloquy we will understand all that he has done from the beginning , up until this moment , and throughout every ... soliloquy , in actual contact with these Objects , physical even though they are imaginary . But the study of the ...
Halaman 177
... Soliloquy , I don't mean only the " Now I am alone " kind of soliloquy that Hamlet speaks . Sometimes a soliloquy may be a long speech as in the case of Hermione's address to the court in Winter's Tale . There you have a magnificent ...
... Soliloquy , I don't mean only the " Now I am alone " kind of soliloquy that Hamlet speaks . Sometimes a soliloquy may be a long speech as in the case of Hermione's address to the court in Winter's Tale . There you have a magnificent ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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