The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 134
... seems a much more mature , profound look at the play . Does that mean that the first time you did it , you had a ... seem that revenge comes first . " I'm going to get my own back . " In this way he's something like Shylock . But then ...
... seems a much more mature , profound look at the play . Does that mean that the first time you did it , you had a ... seem that revenge comes first . " I'm going to get my own back . " In this way he's something like Shylock . But then ...
Halaman 172
... seems to point in this direction . This is what I see as the Spine of the character . Is the attempt to find ... seem to be the haunting necessity for all artists . What is revealed then returning to this scene with Horatio is , in a ...
... seems to point in this direction . This is what I see as the Spine of the character . Is the attempt to find ... seem to be the haunting necessity for all artists . What is revealed then returning to this scene with Horatio is , in a ...
Halaman 181
... seems to be a dominant theme throughout . The very names - Venice , Bel- mont - all would seem to invite a Romantic solution . Furthermore , Shakespeare , for a man of his Age , would seem committed to show Shylock as an inheritor of ...
... seems to be a dominant theme throughout . The very names - Venice , Bel- mont - all would seem to invite a Romantic solution . Furthermore , Shakespeare , for a man of his Age , would seem committed to show Shylock as an inheritor of ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |