The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 123
... reasons why . " You spit upon my Jewish gabardine " again . The Spine is the reason for everything because it provides you with the most impulses to action . How does the character's Spine fit into the central theme of the play ? What ...
... reasons why . " You spit upon my Jewish gabardine " again . The Spine is the reason for everything because it provides you with the most impulses to action . How does the character's Spine fit into the central theme of the play ? What ...
Halaman 172
... reason ? Why was he born ? " Plainly for the ultimate things : for wonder , for curiosity and the pursuit of truth , for love , for creation - but first of all for freedom , the condition of the other four . " Hamlet is an overwhelming ...
... reason ? Why was he born ? " Plainly for the ultimate things : for wonder , for curiosity and the pursuit of truth , for love , for creation - but first of all for freedom , the condition of the other four . " Hamlet is an overwhelming ...
Halaman 178
... reason why Hippolyta can possibly be in love with him . In addition , he is even - tempered ; he is moderate ; a ruler but he understands the simple impulses in simple people . It is he who says in effect , " Let's not make fun of these ...
... reason why Hippolyta can possibly be in love with him . In addition , he is even - tempered ; he is moderate ; a ruler but he understands the simple impulses in simple people . It is he who says in effect , " Let's not make fun of these ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |